Diane Borsato

The Contemporary Art Gallery presents a unique one-night installation by Toronto-based artist Diane Borsato with the collaboration of Judie Glick, Kuniko Yamamoto, Naomi Sawada and Anne Morrell Robinson. Evolving from a research visit to Vancouver in summer 2016 as part of our Burrard Marina Field House Studio Residency Program, Borsato worked with members of the Japanese flower arranging (Ikebana) community in Vancouver to develop *The Moon Is Often Referred To As a Dead, Barren World, But I Think This Is Not Necessarily The Case.*

Typical of her practice, Borsato often works with amateur organizations — mycologists, astronomers, beekeepers — in projects that examine social and sensorial modes of knowing. She has been practicing and researching Sogetsu Ikebana for several years.

Taking its title from a statement made by the modern sculptor and Sogetsu founder Teshigahara Sofu in *Kadensho: Book of Flowers* the work echoes ideas found in the publication in which he imagines making arrangements in another, very different world. For the project, Borsato invites several Ikebana masters from the modern Sogetsu school to participate in a collaborative workshop and installation. The practitioners will work with seasonal materials, and objects, supplies and the space of the gallery building itself to provide a conceptual framework for materializing a dialogue between the worlds of Ikebana — often a highly technical, rule-based traditional cultural practice and contemporary art — with its own unmistakable tropes and cultural specificities.

###Biography
Diane Borsato has established an international reputation for her social and interventionist practices, performance, video, photography, and sculpture. She was twice nominated for the Sobey Art Award and was winner of the Victor Martyn-Lynch Staunton Award for her work in the Inter-Arts category from the Canada Council for the Arts. She has exhibited and performed at major Canadian institutions including the Art Gallery of Ontario, Toronto; The Power Plant, Toronto; the Art Gallery of York University, Toronto; MOCCA, Toronto; the Vancouver Art Gallery; the National Art Centre, Ottawa; and in galleries and museums in the US, France, Mexico, Taiwan, and Japan.

A close up view of a patchwork quilt made of fabric squares of varying patterns and colours. Quilted overtop are large white block letters. Only a fragment of a sentence is visible. 

thumbnail_00-HEADER-DianeBorsato-2017.jpg

00-HEADER-DianeBorsato-2017.jpg

A sculptural installation occupies the center of a gallery space. The installation is made of various objects including ladders, plants, chairs, plinths, a quilted banner and boxes, among others.

thumbnail_01-DianeBorsato-2017.jpg

01-DianeBorsato-2017.jpg

A detailed view of a sculpture installation. Orange gerberas and small twigs are arranged in a small black ikebana flower vase. The vase is situated on wood bars placed on a step ladder. 

thumbnail_02-DianeBorsato-2017.jpg

02-DianeBorsato-2017.jpg

Detail of a sculpture installation. Some pink flowers and twigs are arranged in a flat rectangular-shaped vase filled with water. A large mirror is placed beneath the vase.

thumbnail_03-DianeBorsato-2017.jpg

03-DianeBorsato-2017.jpg

A detailed view of a sculpture installation. Three white flowers protrude from a bike tire and a ladder with plants suspended from it are blurred in the background. 

thumbnail_04-DianeBorsato-2017 (1).jpg

04-DianeBorsato-2017 (1).jpg

Diane Borsato: The Moon Is Often Referred To As a Dead, Barren World, But I Think This Is Not Necessarily The Case

Installation

The Contemporary Art Gallery presents a unique one-night installation by Toronto-based artist Diane Borsato. Evolving from a research visit to Vancouver in summer 2016 as part of our Burrard Marina Field House Studio Residency Program, Borsato worked with members of the Japanese flower arranging (Ikebana) community in Vancouver to develop *The Moon Is Often Referred To As a Dead, Barren World, But I Think This Is Not Necessarily The Case*.

Typical of her practice, Borsato often works with amateur organizations—mycologists, astronomers, beekeepers—in projects that examine social and sensorial modes of knowing. She has been practicing and researching Sogetsu Ikebana for several years.

Taking its title from a statement made by the modern sculptor and Sogetsu founder Teshigahara Sofu in *Kadensho: Book of Flowers* the work echoes ideas found in the publication in which he imagines making arrangements in another, very different world. For the project, Borsato invites several Ikebana masters from the modern Sogetsu school to participate in a collaborative workshop and installation. The practitioners will work with seasonal materials, and objects, supplies and the space of the gallery building itself to provide a conceptual framework for materializing a dialogue between the worlds of Ikebana—often a highly technical, rule-based traditional cultural practice and contemporary art—with its own unmistakable tropes and cultural specificities.

The project is generously supported by The Vancouver Foundation.

The artist thanks The Social Sciences and Humanities Research Council, The Canada Council for the Arts and Toronto Arts Council.

### Biography

Diane Borsato has established an international reputation for her social and interventionist practices, performance, video, photography, and sculpture. She was twice nominated for the Sobey Art Award and was winner of the Victor Martyn-Lynch Staunton Award for her work in the Inter-Arts category from the Canada Council for the Arts. She has exhibited and performed at major Canadian institutions including the Art Gallery of Ontario, Toronto; The Power Plant, Toronto; the Art Gallery of York University, Toronto; MOCCA, Toronto; the Vancouver Art Gallery; the National Art Centre, Ottawa; and in galleries and museums in the US, France, Mexico, Taiwan, and Japan.



Detail of a sculpture installation. Some pink flowers and twigs are arranged in a flat rectangular-shaped vase filled with water. A large mirror is placed beneath the vase. 

Two plinths placed on top of each other in a staggered way. The hollowed out center of the top plinth has a tube light inside of it. There are plant roots in a ceramic container on the bottom plinth.

Detail of a sculpture installation. Orange gerberas and small twigs are arranged in a small black ikebana flower vase. The vase is situated on wood bars placed on a step ladder.

Artist name, exhibition title, date, and location are printed on a wall above a white table. On the table, A triangular-shaped pink vase sits, in which some green flowers and twigs are arranged.

Diane Borsato

Exhibitions

Talks & Events