Kay Slater

One Saturday each month, CAG invites guest hosts to lead walkthroughs of our current exhibitions, offering their insights and response to the works on view. In November, we welcome Kay Slater and Laurie M. Landry to speak on the work of Christine Sun Kim.

### Accessibility
An ASL interpreter will be present.

### RSVP
No advance registration required.

### Biographies
Kay Slater is a multidisciplinary artist, accessibility consultant and arts worker. Their artistic practice explores value as it relates to process and expectations. Kay’s work is rooted in anti-oppression practices, and they employ open source and community-engaged approaches to support ongoing knowledge transfer with makers and creators at all stages of their careers. Kay is dedicated to expanding art making opportunities where verbal and non-verbal communication is used and where no one is ever turned away for lack of skill or understanding. They subscribe to the philosophy of the New Sincerity which strives to “be more awesome”. Kay is queer and hard of hearing. They are a settler working as an uninvited guest on the stolen lands of the Musqueam, Squamish and Tsleil-Waututh peoples.

Laurie M. Landry is a Deaf Canadian contemporary artist influenced by painters Jenny Saville, Colin Davidson, Rembrandt and Frida Kahlo. She focuses on contemporary portraiture of marginalized subjects. In her figurative art, she is currently exploring the corporeality of heterogeneous bodies. Laurie has participated in art residencies across Canada and her art has been shown in art galleries across BC. She has been awarded Canada Council for the Arts grants to support her art practice. Laurie currently lives and works in Vancouver on the unceded territories of thexʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and Sel̓íl̓witulh (Tseil-Waututh) Nations.

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Kay Slater and Laurie M. Landry on Christine Sun Kim

Saturday Session

What stories simmer just beneath the surface of the public spaces that we dwell in? What characters are the strangers we brush shoulders with? What characters are we?

Argentinian artist Mariano Pensotti’s ingeniously voyeuristic work *Sometimes I think, I can see you* places writers in public spaces and uses them as literary surveillance cameras. Over the three weekends of the 2013 PuSh Festival, a group of Vancouver writers including Michael Turner, Lisa C. Ravensbergen, Adrienne Wong, Kay Slater, Charles Demers, Anakana Schofield, OZ12, and Caitlin Chaisson were stationed in the lobby of the Vancouver Art Gallery and the atrium of the Vancouver Public Library Central Branch equipped with laptops connected to projection screens. Their directive? To write a live account of whatever it is they saw — or imagined they saw — in these urban surroundings. Through the eyes and minds of these various writers, speculations unfolded, narratives were woven, and the anonymous individuals around us became implicated in a series of beautifully spontaneous fictions.

*Sometimes I think, I can see you* is presented with PuSh International Performing Arts Festival, The Playwrights Theatre Centre and Vancouver Art Gallery, and supported by Vancouver Public Library. The work is produced with Ciudades Paralelas, a co-production between HAU Berlin and Schauspielhaus Zürich in collaboration with Goethe-Institute Warschau and Teatr Nowy.

### Biography 

Mariano Pensotti is known internationally as one of the foremost directors in contemporary theatre. His work *El Pasado es un animal grotesco* was presented on a revolving stage in the Fei and Milton Wong Experimental Theatre at PuSh 2012, and his work *La Marea* presented outdoors in the streets of Gastown at PuSh 2011.

ProgramGuideWinter2013.pdf

Two people sit back-to-back at folding tables in a public space. Both are typing on white laptops. A large poster for Push Festival is visible behind one desk, an elevator door behind the other.

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A person sits at a white desk outside an entrance to a public building. A white laptop sits on the desk. The person looks out at people entering and exiting while typing on the laptop.

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A person in a grey jacket looks at a monitor installed in an upper corner of an indoor space. The screen is black with illuminated text in red.

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An image of two monitors, one in sharp focus in the foreground, one in softer focus in the background. Both screens show red text on black. The closer monitor reads “Now I can only hear you.”

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A person sits in front of a laptop at a small circular table. They face a white wall filled with framed artworks. Beside the framed artworks, another person sits with a laptop at a table.

Kay Slater

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