Erdem Taşdelen

David Balzer

As part of Canadian Art Magazines Gallery Day, Vancouver Editor-in-Chief David Balzer discusses the work of Turkish Canadian artist Erdem Taşdelen and his current CAG exhibitions *Wild Child and The Quantified Self Poems*.


A white graph on a black background with a heading that reads "How do you feel?" A "Next" button is beneath the graph.

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David Balzer on Erdem Taşdelen

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The Contemporary Art Gallery presents two new works by Toronto-based Turkish artist Erdem Taşdelen. Commissioned by the Contemporary Art Gallery with Cineworks, *Wild Child,* presented in CAG’s North Gallery, is an ambitious two-part video installation which takes as its starting point *An Historical Account of the Discovery and Education of a Savage Man* by Jean Marc Gaspard Itard, a physician who decided to care for a feral boy found in Aveyron, France in 1798. Convinced that he could “civilize” the boy by teaching him language, Itard was left frustrated in his attempts to make the boy transcend his so-called savagery when he proved incapable of learning to speak.

In *Wild Child* Taşdelen adapts this story, this time set in contemporary British Columbia and presented through two distinct elements. One video depicts preparations for an imagined filmed documentary, featuring twelve actors as they audition for the roles of its main characters. This is accompanied by a second piece, a sequence of images of a forest depicting “nature” in a supposedly unmediated manner. Devoid of any human activity, it provides the viewer with a space of contemplation in contrast to the interactions portrayed between performers, crew and writer/director.

Presented in our windows is *The Quantified Self Poems*, a new series of twelve screen prints. Over a period of three months in the summer of 2016, Taşdelen reported his moods approximately three times a day on “Emotion Sense,” a self-improvement smartphone app developed by researchers at the University of Cambridge, UK. As he answered a series of questions the artist’s feelings were numerically encoded as data, effectively quantifying the unquantifiable. Working with programmer Ali Bilgin Arslan, Taşdelen developed an algorithm that translated this information into words drawn from a unique dictionary created by Vancouver-based poet Daniel Zomparelli. Unusual sentences emerge from which we attempt to make some kind of sense.

Each work exposes the dynamics at play through differing representations of human nature. Notionally objective realities conflate with fiction in a self-referential manner that deliberately befuddles the viewer; the familiar made compelling strange.

*Wild Child* is commissioned by Contemporary Art Gallery with Cineworks and is supported by BC Arts Council.

*The Quantified Self Poems* is supported by the Canada Council for the Arts and produced with thanks to Daniel Zomparelli and Ali Bilgin Arslan.


### Biography

Erdem Taşdelen lives and works in Toronto. His multidisciplinary practice involves a range of media including installation, video, drawing, sculpture, sound and artist books. He has shown extensively internationally and across Canada, including exhibitions at Burrard Arts Foundation, Vancouver; Museum für Neue Kunst, Freiburg (2016); Stacion Center for Contemporary Art, Kosovo; Sakip Sabanci Museum, Istanbul (2015); Galeri NON, Istanbul; Western Front, Vancouver; Kunstverein Hannover; Biennial of the Americas, Denver; ARTER, Istanbul; Haus Konstruktiv, Zurich; MAK, Vienna (2013); 221A, Vancouver and Oakville Galleries (2012).




ProgramGuideWinter2017.pdf

A video still with an image of a lush forest in British Columbia. Sunlight is streaming through the moss covered trees. 

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A monitor hangs on the wall of a dark gallery space. The monitor displays an image of a lush forest in British Columbia.

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A monitor displaying a video work hangs on the wall of a dark gallery space. Onscreen, an actor sits at a table, auditioning for an imagined documentary.

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An exterior image of CAG installed with 12 black and white, text-based prints in the facade windows.

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Two windows outside of CAG installed with a text-based print each. One print has a poem printed in black text on white paper. The other has a poem printed in white text on back paper.

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